I’ll be adding a page with detailed analysis over the performance throughout the sensitivity range, but for now, please head over to my sample images page which features a broad selection of pictures taken with a variety of lenses. Ken Rockwell compares the shutter sound of the Fuji X-H1 to the Nikon F6, and I believe that he’s right. I feel this is an area Fujifilm really needs to address, especially on a larger flagship camera with built-in stabilisation. This leads me to the second option of the app, named Receive. The longest clip length of 15 minutes for 4k or 20 minutes for 1080p falls behind the half hour clips of rivals, and while I know the X-H1 can extend to half an hour with the optional battery grip, its rivals don’t face this limitation. In the X-H1, Fujifilm has created a worthy top-tier entry to its mirrorless X-series line-up. I did occasionally experience the five stops quoted by Fujifilm, but not consistently. Above left: Fujifilm XH1, above right: Fujifilm GFX. Meanwhile the X-H1’s stabilisation may work a treat when you’re trying to frame a steady shot, but once you start to pan even slowly, the system becomes visibly jerky, whereas more mature rivals can support smoother handheld pans. On the X-H1 you can configure the slots to record duplicate still photos for backup purposes on both cards, but sadly not video to both cards simultaneously (something the Sony A7 III can do). The Olympus OMD EM1 Mark II phase-detect coverage is broader, while the Sony A6500 and A7 III, not to mention all of Canon’s Dual Pixel CMOS sensors, support phase-detect autofocus across almost their entire frames. You’ll also notice three indicators in the top and rear displays, showing the remaining life of each battery. With identical cards in both slots, the time matched the Slot-2 figure of just over ten seconds. So if you’re an early adopter of the X-H1, you won’t be enjoying updated GPS positions yet. If you fancy more reach, there’s the Leica 12-60mm f2.8-4, which with the G9 weighs 978g. In this in-depth review of the Fuji X-H1, we will take a closer look at what this mirrorless camera has to offer and why I consider it to be the best APS-C camera on the market today. When I first encountered this panel on the GFX-50S, I wasn’t 100% convinced, but over time I’ve grown to find it very useful and while it means the X-H1 departs from its purely retro styling, it is simply very useful. Disclaimer 1: All the images in this review have been shot on a prototype X-H1. You could buy 4 of these for the price of one Nikon D5! Meanwhile, Fujifilm’s MK-X cinema and Zeiss lenses use the full five axes of the body-based system, while adapted M-mount lenses or those mounted with a macro extension tube utilise three axes. Like most rivals, you’ll only be transferring JPEGs, not RAW files. You can choose the direction of the pan and the size from the menus with typical horizontal and vertical orientations generating images with 6400×1440 or 6400×2160 pixels respectively. For example, in these portraits of Harry using the XF 90mm, the X-H1 regularly flipped in and out of face detection and only rarely engaged eye-detection, forcing me to disable the feature and simply select a single area instead. Fujifilm has extensively profiled all of its X-Mount lenses, and by default LMO is enabled on the X-H1 when you fit one of them. If you don’t like the shots as you take them, you have the chance to retry, but other than that there’s no other options. Conversely the smaller lenses, like the XF 35mm f2, look slightly out of proportion on the X-H1. First off, the Fuji X-H1 is a beefier camera. Before moving on, an additional respectful nod to Fujifilm for offering a 24p-friendly shutter speed of 1/48 when the camera’s set to the movie mode, and I also like the way the upper LCD screen switches to display video-related information like the time remaining. Like earlier models, the X-H1 also considerately displays a timer on-screen during long exposures, either counting-up in Bulb mode, or down from a selected shutter speed. Fujifilm Reviews. Like earlier models, you can manually dial-in sensitivities from 200 to 12800 ISO in one third EV increments. This makes the X-H1 by far the largest and heaviest X-series body to date, most obviously sporting a substantially deeper grip and larger viewfinder head than the models that came before it. Facebook 0 Twitter LinkedIn 0 Reddit Tumblr Pinterest 0 0 Likes. To be fair, that’s longer than Fujifilm estimates in its specs, but compare it to the Lumix G9 which in my tests managed to record almost two and a half hours of 4k / 24p footage at 100Mbit/s on a single charge, and in more useful 30 minute chunks too. If you’ve used this system before it feels natural, but even if you’re coming from a system with a PASM mode dial, it’s easy to get to grips with. Face detection does however only work with contrast-based AF, and if you have focus set to continuous, the additional eye detection capability becomes disabled. Below you can see the front view size comparison of Fujifilm X-T3 and Fujifilm X-H1. Above: Download the original file (Registered members of Vimeo only). With the AF area set to Zone or Single Point though, the X-H1 felt much more confident. I’ll get write more about the X-H1 as I go travel the world this winter… I’ll get back to you guys!Cheers, Roxham Road, Independent journalism quebec, enter canada illegally, migrant roxham road. Unlike some timers though, there doesn’t appear to be any restriction in the shutter speeds you can use at short intervals: I was able to shoot half second exposures at one second intervals for example without an issue. Note the Lumix G9 takes the crown for the largest actual image size with a 0.83x magnification that really does look bigger, especially since the native shape of Micro Four Thirds will fill the viewfinder panel height, whereas the APSC and full-frame models normally use the wider 3:2 shape which has to be displayed with letter-boxing in most viewfinders. If you enable this, the app proudly states it’ll provide and embed location details for the next 60 minutes, but what it doesn’t tell you is it’ll be the same position for every single picture you take over the next hour, even if you move to a different location. The Fujifilm X-H1 is the newest flagship camera on the block, topping the mirrorless X-series range with built-in optical image stabilisation and the most advanced video capabilities of any Fujifilm camera to date. Olympus, Panasonic and Sony now all have new larger batteries on their flagship bodies with roughly twice the power of their earlier generations, eliminating the short battery life worries of their predecessors. Finally! The grip also provides a headphone jack and an AC input for use with an AC adapter supplied with it; this allows you to power the X-H1 from the mains, and when the camera’s switched off it’ll also charge the two batteries in the grip, albeit sadly not the one in the camera body itself. Fujifilm’s clearly improving its movie capabilities and there’s no denying the X-H1 is capable of capturing good quality footage; in particular the new Eterna simulation produces very usable footage out-of-camera without the need to grade and Fujifilm’s optics division are producing some high-end cinema lenses too. If you like this wider format, the X-H1 also lets you film 1080p video in the 17:9 shape, although again at only cinematic 23.976 and 24p frame rates. To be fair though, on Sony’s A7 III I found its Slot-2 was half the speed of Slot-1 when using UHS-II cards, so at least the X-H1 suffers nowhere near that fall in performance. It’s also possible to customize what information is displayed for still photos and the movie mode. Since it’s a dot matrix LCD, you could in theory display anything and I think it’d be fun to be able to upload custom graphics, like a logo, for display on startup. No need to do anything other than make the initial pairing before then leaving the app running on the phone. Fujifilm XF 16mm f1.4 review The Fujifilm XF 16mm f1.4 is a high quality wide-angle prime lens for Fujifilm X-series bodies. Fujifilm’s also enhanced the touch capabilities in the movie mode. Fuji X-H1 Review -- Overview. For the record, Nikon’s D500 DSLR measures 147x115x81mm and weighs 860g including battery, so the X-H1 remains a little smaller and noticeably lighter, but it’s certainly one of the heftiest mirrorless cameras to date, and it’s revealingly a tad larger than the full-frame Sony A7 III. If you prefer an audio version of my in-depth podcast review, use the following player. The bottom line is while the X-H1 is a fine movie camera, it’s still beaten on features by many rivals if video is your primary focus. Switching the same card into Slot-2 and a burst of 26 uncompressed RAW frames took 10.49 seconds to finish writing. It’s fast – with the 16-55mm f/2.8 XF, the X-H1 is as fast as a 1Dx or Nikon D5 with a 24-70mm f/2.8 in good light. The X-H1 additionally offers a Cinema 4k / 17:9 format, again at up to 200Mbit/s, although only at 23.976 and 24p frame rates. I have several other clips demonstrating this effect in my first-looks video at the top of this page. It was a camera that nobody asked for, but everyone could see and appreciate what Fujifilm was trying to do. Above left: Fujifilm XH1, above right: Fujifilm XT2. When testing the X-H1’s rivals under similar conditions, I found them were generally more confident. GFX 100 GFX 50R G-Mount Lenses. It’s virtually the best camera ever made: 11 FPS with autofocus tracking, 325 autofocus points, touch screen, 14 fps without tracking, 24mp, industry-leading image stabilization, weather sealed, great ergonomics, best shutter sound ever…the list goes on and on. The X-H1 is also weatherproof with 94 points of sealing. It’s definitely a very unique shutter sound, unlike anything I’ve used before (Pen-F, Sony A7R, Fuji X100S, Fuji X-Pro1 and 2, Nikon Df/D800/D300/D3s and Canon 5d MK-something). This provides a duplicate set of controls for more comfortable shooting in the portrait orientation, along with accommodating two additional batteries that work alongside the one in the body to triple the overall lifespan. I also tried the wireless version, connecting my laptop and the camera to my home Wifi network. Above: Download the original file (Registered members of Vimeo only). In terms of exposure, you can manually set the aperture, shutter and ISO, and if desired, shoot with auto ISO when the shutter and aperture are fixed and effectively in manual mode. It’ll stay focused on a subject at 8 to 14fps and at long focal lengths, although for the best success you’ll be using a smaller AF region, and for ease of tracking you’ll want the slower burst speeds with feedback. Note 1080 video (in any shape) can be encoded at 50 or 100Mbit/s. If you’re looking for a high-end mirrorless camera, you’ve come to the right place! The X-H1 is fitted with Fujifilm’s X-Mount which, with the APS-C sensor behind it, applies a 1.5x field reduction factor to lenses – so the XF 16-55mm f2.8 zoom will deliver a field-of-view equivalent to 24-83mm. The Fujifilm X-H1 is a larger mirrorless interchangeable-lens digital camera announced on February 15, 2018 by Fujifilm. Set the lens to A, but turn the shutter speed dial and you’ll be in Shutter Priority. I’m compiling a video showing the effect with multiple lenses which I’ll add to this review soon! The one function that sets the Fujifilm X-H1 apart from all other cameras in the X series range is the addition of In Body Image Stabilisation (IBIS), which allows up to 5.5 stops of stabilization. One thing to note: The autofocus of the X-H1 is faster than the X-Pro2 and the sensor, even tho it is the same on paper, does better at high iso. ... 27 Apr 2019 3:43PM. Like most mirrorless cameras, the Fujifilm X-H1 employs a combination of phase-detect and contrast-based autofocus systems. I successfully captured long bursts of my friend Nick cycling round Brighton’s velodrome at approximately 30mph. This mode simulates cinematic film, creating understated colors and rich shadow tones, greatly enhancing creative freedom during post-processing. The Fujifilm X-H1 camera adds in-body stabilization to the X series and offers loads of tools for both photographers and videographers. The X-H1 employs the same 24 Megapixel APSC X-Trans III sensor as most of the bodies in the current X-series line-up, but is the first to stabilize it within the body; Fuji claims this new 5-axis system delivers up to five stops of compensation. As for Eterna, here’s how it looks applied to the same scene as above, although you may prefer to judge its muted output on video. Even more impressive, you can dial-in up to 3EV increments regardless of the number of frames, allowing you to achieve a +/-12EV maximum range if desired (nine frames at 3EV increments). I’m pleased to report you can now charge the battery internally over USB (I confirmed with an external Anker USB battery), although Fujifilm also supplies a more traditional AC external charger if you prefer; note you can’t power the camera over USB though, a feature still only offered by Sony and Panasonic. Sadly the cross keys remain unnecessarily small though, especially given the larger real-estate of the rear panel. 100% crops with IBIS off (left) and IBIS enabled (right). Out of curiousity I repeated the test with the bit rate set to 100Mbit/s, but the battery lasted virtually the same time – just three minutes longer, so within experimental error. Importantly the majority of the Fujifilm lenses I’ve tested have been of a very high standard. Alternatively you can set the second card to take over when the first one fills, or record JPEGs to one card and RAWs to the other. The 16-55mm f/2.8 still delivers quite a bit of a smooth bokeh. Fujifilm’s Camera Remote app is available for iOS and Android devices and I tried the latter (v188.8.131.52) on my Samsung Galaxy S7 phone. The Fujifilm X-H1 looks like a chunkier version of the X-T2 with some aspects of the medium format GFX-50S thrown into the mix; indeed if the X-T2 and GFX got together, the X-H1 could be their offspring. The remaining models offer gradually less: the XF 55-200mm delivers 4.5 stops, the XF 18-55mm 3.5 stops, the XC 16-50mm and XC 50-230mm both three stops, leaving the XF 10-24mm with 2.5 stops, implying its design mostly uses the optical stabilisation alone. It can be a subtle difference day-to-day, but point the X-T2 and X-H1 viewfinders at very fine details and you’ll notice the latter resolves them better with less moire or blurring, leading to a more natural view. I became very fond of Eterna while testing the X-H1 and found it became my default option, although like previous models you can alternatively apply any of the Film Simulations to video. I’m particularly fond of Acros with the Red filter option to darken blue skies and bring out cloud detail. Set to uncompressed RAW, I managed 22 frames in 2.74 seconds for a speed of 8.03fps. There’s sadly no zebra patterns, nor indication of blown highlights or crushed shadows when filming, although manual focus fans will appreciate the chance to display focus peaking as well as exploiting the extra detail of the viewfinder to nail the exact position. Jean Pascal October 12, 2019 Fuji X-H1 review, X-H1 vs X-Pro2, review fuji x-h1. In Wide / Tracking AF mode with focus set to Single AF, the X-H1 automatically selects one or more AF points of its choice from the 13×7 array. Switch to 1080p and you can film 20 minute clips with the X-H1 body alone versus 15 minutes on the X-T2. The Remote Control option shows a live image from the camera, surrounded by shooting information and a selection of buttons underneath. But now on the X-H1, the view with both was satisfyingly steady, allowing me to easily fine-tune and nail the composition. Camera type: Mirrorless Sensor: 24.3Mp APS-C (23.6 x 15.6mm) X-Trans CMOS Processing engine: X Processor Pro Lens mount: Fujifilm X Sensitivity range: ISO 200-12,800 expandable to ISO 100-51,200 Autofocus system: Hybrid with 91 or 325 points Max continuous shooting rate: Electronic shutter: 14fps for 42 jpegs, 28 lossless compressed raw or 25 uncompressed raw, … The X-H1’s viewfinder 23mm eye-point may be the same as the X-T2, but the eyecup is larger and the viewfinder head also positioned further back so to avoid your nose accidentally interacting with the touchscreen. This is a frustrating limitation inherited from earlier models and something that really should be fixed by now. So far so similar to the X-T2, but as mentioned at the start, the X-H1 offers some AF enhancements. The effect above reminds me of earlier stabilised systems on rivals before gradual refinement began to better understand the differences between unwanted wobble and deliberate movement. The default Film Simulation remains Provia, and that’s what you’ll see in all my sample images unless otherwise stated; it delivers a good balance of contrast and colour without being too punchy or saturated. bigger. Here’s two examples using the XF 16-55mm, one panning, the other walking. In particular, this was one of my major bugbears with the XF 16-55mm and XF 90mm, both superb lenses, but both models that I struggled to handhold as accurately as I wanted for prevision framing. Like all X-series bodies to date, the Fujifilm X-H1 doesn’t have an exposure mode dial; instead it adopts the same technique employed by older film SLRs for many years. The overall look is more modern than many of the X-series bodies which preceded it and you may or may not like this direction in design. Fujifilm X-H1 still good even 1 year later, review March 2019 In poor light, it’s better than my X-Pro2, but not like a D5 and the likes. Size-wise the X-H1 measures 140x97x86mm (40mm at its thinnest point) and weighs 673g including battery. One disappointing aspect of the X-H1 ownership was the sudden deprecation that occurred in January of 2019, only 10 months after the camera was released. Wow.This was my first reaction when I first got started shooting with it. But again the experience on the X-H1 was transformational for me when shooting with the longer unstabilised lenses. Interestingly, the fly-by-wire focusing system of the X-series lenses can also be set to linear or non-linear, the former allowing you to mark points to hit focusing spots if desired. Older: X-T3 X-T2 X-T20 X-Pro2 X-T100 . Add the XF 16-55mm f2.8 to the X-H1 and the total length (including eyecup) measures 165mm and the combined weight becomes 1328g. Throughout my tests with unstabilised lenses on the X-H1, I experienced similar results: typically a reliable three stops of compensation, or in some instances a little more. So far I’ve not noticed any particular issues in the corners of my images shot with the X-H1. Fujifilm reckons the battery is good for about 310 frames, but enable the built-in image stabilisation, deploy the wireless connectivity or start shooting movies and you’ll find the power depleting quite alarmingly. The X-H1 inherits the dual card slots and AF joystick of the X-T2, but adds a new AF-ON button as well as enlarging some of the buttons on the rear. If you set the shutter speed dial to T, you can use the rear dial to choose from the entire shutter speed range of 1/8000 (or 1/32000 if using the e-shutter) to 15 minutes, an enhancement over the original X-T2 (as well as most other cameras) that stop at 30 or 60 seconds before handing you over to Bulb for anything longer. Fit the optional Vertical Power Booster grip though and both cameras can extend any format to half hour clips. As you’d expect, the X-H1 also now complements its Wifi with Bluetooth. Set to compressed RAW, I captured 27 frames in 3.54 seconds for a speed of 7.63fps.
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